![]() ![]() To make it print 4/4 time instead of C (Common Time) you click "Abbreviate". There is a little box which says "Tie" on it on the Tool Bar but no mention how to use it. So I looked up "Tie over bar-line" in Online Documentation" and it says to go to Easy Scribe and do something. I was entering something with "Simple Entry Tool" when I came to a tie over a bar-line. You look in Online Documentation and it lists "Half Rest" but not Half Note. Where is the GOTO command as in Go to Measure 30? You look in the manual and you look in online documentation and you can't find it. But neither the manual or the online documentation are. I must say that Shawn in Coda Technical Support was very helpful. I've had considerable difficulty learning PrintMusic! which I bought. QuickStart Videos show you how – on your computer screen.Share your music with others using the free, downloadable Finale Reader.Add dynamics, tempos, percussion notation, chord symbols, guitar fretboards and tablature, articulations and more.Transpose to any key and for any instrument.Create up to 24 staves and print your score or parts.Powerful mixer fine-tunes your playback.Save your music as an audio file to burn CDs or save on an iPod.Band-in-a-Box Auto-Harmonizing adds harmonies to your melodies.Human Playback to give your music nuance, as if performed by live musicians. ![]() Add more sounds with full support of VST/AU instrument and effects libraries (sold separately).Free Software Synthesizer with 128 instrument sounds and marching percussion sounds from Row-Loff.Play a brass or woodwind instrument into a microphone using our exclusive MicNotator.Scan your music with SmartScore Lite (included).Enter notes in step-time from your computer or MIDI keyboard.Play your MIDI keyboard with a metronome and watch your music appear on screen in real time.Click notes into place with a mouse – and hear them as you do.Easily put notes on the page with these flexible options: Want an engraved or handwritten look? Select a document style to personalize the appearance of your music.Įasy Entry :PrintMusic lets you compose and arrange the way you want. PrintMusic is perfect for arrangers, composers, teachers, band and choir directors, church musicians, students and other musicians.Įasy Set-up : The Setup Wizard configures key and time signatures, transpositions, pickup measures, and more - instantly. Share your music with iPod-ready MP3 files.Play your music with professional sounds and nuance.Arrange full ensembles and extract individual parts.We hope you’ll subscribe to Synth and Software (it’s free!), and we wish our colleagues at EM much success in their new format.Create and print publisher-quality sheet music: Finale PrintMusic is a fast, easy way to bring your music to life with professional results. So we urge everyone to continue supporting professional music tech journalism. Who knows, maybe we’re poised to enter another golden age of music? The world could sure use it right now. I personally have been having way too much fun working with some of the latest softsynths. Not only are the originals getting dusted off, they’re being recreated in both hardware and software. Simultaneously, we musicians have been rediscovering forgotten instruments from decades ago. The advances in music technology may not be as flashy as they were when all this was brand new, but they are still coming at a furious pace. Professional music tech journalism is still just as important, which is why we have so much fun presenting it in the digital format. In addition to introducing their new products, manufacturers relied upon us to “educate their market” – which is very important when you’re building music and audio equipment that does things no one understands… either because it never existed before, or because it had previously been far too expensive for individuals to afford.Īnd you know what? That hasn’t changed. Maybe not that.īut what we did was equally important to musicians and to the industry. Former Synth and Software editor Geary Yelton was an EM editor for many, many years.Įveryone in the publishing business understands how satisfying it was working on a paper magazine, the excitement of seeing the office copies when they came back from the printer, cringing at the inevitable typos you missed. I wrote for EM when I wasn’t the editor of Recording magazine, later editor/publisher of Virtual Instruments magazine. Synth and Software publisher and co-founder Joe Perry was EM’s publisher, and he worked on the magazine for a decade and a half. ![]()
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